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Sivaji
Ganesan: Along with M.G. Ramachandran, Sivaji Ganesan dominated Tamil Cinema
to such an extent that the two automatically demanded Madras distribution rights
in their contracts and could bankrupt a producer by causing production delays
and stalling a film's release if they so desired.
Born Viluppuram Chinnaiah Ganesan in Sirkali, Tamil Nadu, his father moved to
Viluppuram where he spent his early years. When he was seven, a travelling drama
troupe came to Viluppuram.
Sivaji acted as one of the soldiers in the play. His
father was appalled that he had acted in some cheap drama and that too in a
white man's part. He was lambasted and punished and ran away from home. He
joined a drama troupe touring Tiruchi - Yadharathnam Ponnuswamy and Company.
He
told the owner he was an orphan and was taken under his wing. It was here that
he honed his talents for music and dancing. He learnt Bharatnatyam, Kathak,
Kathakali and even Manipuri and also trained in Carnatic music. As he moved from
troupe to troupe, his reputation as an actor grew.
Sivaji acted on the stage when it was scandalous for women to do so. He played
several roles of women on the stage. One of his favourites was Noorjehan. To
quote him...
"I used to do the Kathak and at every step, I got resounding applause."
He made his reputation as an actor in C.N. Annadurai's Sivaji Kanda Indhu Rajyam,
a historical on the Maratha Emperor Shivaji. He was asked to play the role at
the last moment when the lead actor (an unknown MGR!) backed out. It is said he
memorized the entire 95 pages of dialogues in a day! Such was his impact that
the play also gave him his screen name.
Sivaji followed Annadurai when he started the DMK in 1949. He made his film
debut playing the lead role in Parasakthi (1952).The film is one of the most
controversial films in the history of Tamil Cinema, replete with assonant
monologues. It owed its success in large part to its dialogues written by
Karunanidhi who used the film to express his ideas on religion, god and
priesthood. The success of the film not only made Sivaji a star, but also the
official icon of the DMK party for some years [
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